Friday, July 2, 2010

Review #2: Taxi Driver

TAXI DRIVER (1976)
DIRECTOR: MARTIN SCORSESE

Considered to be an American classic, Taxi Driver is a portrait of "a man who would not take it anymore.". The man the quote from the film is referring to is our "hero" (using the term really loosely there), Travis Bickle (an amazing Robert De Niro), an insomniac who may or may not have participated in the Vietnam war, who takes a job as a cab driver so he can have something to do throughout the night. Travis, along with the audience, sees the downright pleasant people that populate New York City in the late hour of the night and the early hours of the morning, and we hear his constant thoughts on "ridding this city of all the filth", which he perceives to be his job in life. The film continues from there as he obsesses over Betsy (Cybil Shepherd) and Iris (a really good Jodie Foster), a child prostitute, giving the film more of an episodic nature than a plot-driven one.

Let me start with Robert De Niro. Wow. De Niro gives a brilliant performance as the psychotic Travis. It shows that he can be brilliant when given the right material (which has been something he hasn't been able to achieve recently >_>). Also a stand out is Jodie Foster in what, I believe is her first major film role, as a child prostitute who Travis becomes obsessed with freeing, although worth noting is Harvey Keitel as Foster's abusive pimp and Albert Brooks as Cybil Sheperd's coworker.

The production side of things is also fantastic. The editing and cinematography give the film a hallucinatory feel to it, giving the closest you can get to how Travis sees the world around him. The music to be honest isn't really that great (using mainly a moaning saxophone), but it gets the job done.

But the film has one major fault: It's. Too. Damn. Slow. There are plenty of scenes that could have easily been done away with (most notably a scene between Jodie Foster and her pimp that pretty much restates what's already been said earlier in the film) that don't necessarily bring anything worth noting in terms of character development and the actual story arc of the film itself. Another complaint is that sometimes the characters motivations are often times not really known (we never really find out why Jodie Foster likes her pimp enough to stay with him).

THE BOTTOM LINE: While Taxi Driver can be annoyingly slow, and at times we don't really know why characters are doing what they're doing, it still doesn't detract from it's status as a classic.

9/10

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